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Trees of Volition - Folded in time
October 25, 2008: It has been said, "Love and hate are one in
all." [1] This is true, but not necessarily intended, as the calligraphy
in one sense can replace the existentialism in the being, inversely
installing the mannequin in the place where the auricle in the heart resides. The bridge
across the metope is closed, and the being no longer accepts
responsibility, it believes that evil is elsewhere in the creeping black smoke, an out-of-body
experience, yet love and hate can only reside in the mind of the
observer.
 The closing of this bridge is the neo-makimono, a scroll made into a
bulging thing of evil resting dead center, a lost freedom within.
This world where love is the same thing as death is explained in a
recent article by Allen Heart, writer at OpEdNews posted at
Sott.net entitled,
9-11 Bailout- They hate us for our freedoms, where a sense of how
love is attacked can be felt crossing the bridge between fear and envy.
In essence, this may represent the Theseus and the Minotaur, and the
endless historical battle dating back to lord of Marduk (Middle Minoan
age) [2], and the building of two trees, the perpetual portmanteau in
analogy to "they live", where no responsibility between the risks of war
and profits will ever balance with the rewards squandered and secretly
paid.
Both risk and reward of this nature are not meant to be, as they only
serve destruction and unbalance feeding the obsession created for the
mind. They are played out at every level of our existence. Peace is
moved off to one side and becomes property, that of the unknowing slave,
to the other, the ego performing the mythic inflation of a god in a
panoptic state of oblivion.
Love has a right to be, and you have a right to experience it freely,
not as a form of freedom, but freewill. It is the strength of love
nested in truth that removes the theomorphic allusion of no
responsibility to securing life, so a place can exist for the steady
allegro between inception, source, and root when evaluating our
problematic world.
Evil has no problem insulting the peace in the mind as exemplified in
the article where "they hate us for our freedoms" represents a perfect example
of the catoptric cat and mouse game, almost similar to an aviatrix
played in the mind about reality. What happens to your thoughts and
feelings, that being intellectual pursuit, emotional peace, physical
health, and spiritual being when the rhetoric of knowledge is fear?
Again, from the article:
"So we are left with the power of practical observation and a bit of
logic to help us discover the truth from the fiction. The horrible
atrocity that was 9-11 was truly done by those who hate us for our
freedoms."
The enemy that is manifest is envy, as this is the first marker, an
immediate pulling away, the blinding of real reception. A psychological
warfare exists being played to prevent opening knowledge related to the
crimes that have been committed, and those being made at this time. The
two trees are symbolic to the Twin Towers game being played, but they
also lie in the palindromes between the starboard Stonehenge, and the
circle seen from port5.
| Gimmicks of malversation are poured forth as
legitimate propaganda using psychological wording that creates
the subtle envy in the metopic arena, and they often display the
portmanteau in metaphorical sensory perception, so that it even
seems real. This false data represents the ferōx which is
carefully propagated by the mannequins. The observer is pushed
forward, seeing the dark of night pass away, and seeks the light of
day, or tomorrow in the ātrōx, a seeming super love
twister that ends as a misguided missile. |
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Latin ātrōx, "black-looking," frightful (*atro-,
black); ferōx,
"wild-looking," fierce (*ghwero-, wild)
The cloven hoof of the beasts is perpetrated by those who create the
Wyatt Earp figure who is imagined coming from the east. The treatise is
presented while the four cloves of the Maltese cross absorb the new
makimono. Those who dissent push the ātrōx from behind
the veil of the diopters and what is seen predominantly is false media. Their messages are not cloy, always it seems in balance
with nature's god. Yet, Satan will gladly paint a picture that is false
media of the ferōx of fear using a treacle down of lies
malversation method without prosecution at the current moment. The
molasses that is poured out is more to the tune of rot-gut malt liquor.
This attacks the essence of love directly on, subtly altering hurt, when
the truth of the matter is that the feelings of being hurt have
been replaced with a double-edged need; while the mercy seat becomes the
pearl in the tombstone.
"Man must evolve for all human conflict a method which rejects
revenge, aggression and retaliation. The foundation of such a method
is love."
- Martin Luther King Jr.
to be continued...
References:
1) Enigma2- the cross of changes, Curly M.C.
2) Occidental Mythology by Joseph Campbell (1964)
Roots: okw- gmt (44);
American Heritage Dictionary 3rd Edition (1992)
Latin ātrōx:
root āter-; fire, atrocious, smoke escaping through roof,
69
Latin ferōx: root ghwer-;
fierce, ferocious, wild beast, 493
(note: the Latin references above contained in the okw-
root are not derived from the okw- group, but are attached to it by the AHD)
© Photo of plane hitting tower two, unknown
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